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Smart Research C2M Mono/Stereo Compressor

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Smart Research C2M Mono/Stereo Compressor

Smart Research C2M Mono/Stereo Compressor

One set of controls and two audio channels

The C2 compressor houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation. The C2M version has one set of controls and two audio channels for Stereo use.

The characteristic sound of this unit arises mostly from the fast response at the onset of compression, which when delayed to occur around the mid range attack settings (after 0.3 to 3 milliseconds) results in a window through which transients can still pass.

Features:

  • Fast attack and limit settings for protective limiting. 
  • Crush mode gives f.e.t 'overcompression' with tailored frequency response, and higher distortion, for 'huge' dynamic effects. 
  • External sidechain inputs, (for ducking etc.) 
  • Power fail bypass for broadcast or live sound. 
  • Ratios 1.5:1, 2:1, 3:1, 4:1, 10:1 and Limit. 
  • Attack 0, 0.1, 0.3, 1, 3, 10, and 30 m/sec. 
  • Release 0.1, 0.3, 0.6, 1.2, and 2.4 seconds.
$656.17

Original: $2,187.24

-70%
Smart Research C2M Mono/Stereo Compressor

$2,187.24

$656.17

Product Information

Shipping & Returns

Description

One set of controls and two audio channels

The C2 compressor houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation. The C2M version has one set of controls and two audio channels for Stereo use.

The characteristic sound of this unit arises mostly from the fast response at the onset of compression, which when delayed to occur around the mid range attack settings (after 0.3 to 3 milliseconds) results in a window through which transients can still pass.

Features:

  • Fast attack and limit settings for protective limiting. 
  • Crush mode gives f.e.t 'overcompression' with tailored frequency response, and higher distortion, for 'huge' dynamic effects. 
  • External sidechain inputs, (for ducking etc.) 
  • Power fail bypass for broadcast or live sound. 
  • Ratios 1.5:1, 2:1, 3:1, 4:1, 10:1 and Limit. 
  • Attack 0, 0.1, 0.3, 1, 3, 10, and 30 m/sec. 
  • Release 0.1, 0.3, 0.6, 1.2, and 2.4 seconds.

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